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Lead vocalists Kamran Bari along with Mohammad Ali leads the energetic bandwagon of spirited percussionist, flashy guitarist and thunderous arranger that really fires the entire energy on floors. JAL, ROXEN and now SURROR! “Pyar to Hona Hi Tha” (album –“Pyar to Hona Hi Tha”) marks the promising introduction of another prodigal Paki rock band “Surror” into Hindi filmdom with great success and all credits to their sonorously soft vocals, combustible orchestration and lucid wordings.
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“Missing Sunday (remix” simply adds more zest to the party but this time it’s more of a sluggish “club-house” stylized work where regular paced vocals gets into groove with subtle instrumental flows. Chowta’s upbeat inundation of hip-hop with tantalizing electronic beat rhythmic patterns collages effervescently with snooty Earl Edger emceeing in making it hot-shot hit track. Mahua Kamath, an ex-VIVA group vocalist seductive vocal oomph seems to be getting all playful acts together with impressive Suraj energized vocals joining the fun in tandem. Sandeep Chowta gains his phenomenal ground in the marquee by pitching out a really hot and sweltering sluggish paced hip-hop and electronica type of “razzmatazz” fervor in feverishly paced title track “Missing Sunday”. It can be transitory phase but the results in SUNDAY seem to be swashbuckling with tracks like “Missing Sunday”, “Pyar to Hona Hi Tha” and “Manzar” promising chartbusting success. Pop diva Shibani Kashyap, “bhangra” sensation Daler Mehndi, upcoming prodigy Raghav Sachar, contemporaries Sandeep Chowta, Amar Mohile and new kids on block from Pakistan – “Surror” are the chosen one to deliver hot “n” spicy stuff. There seems to be upbeat trend of having multiple composers for a film album and SUNDAY seems to be one such optimistic presentation.
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And while there is Shibani Kashyap composing and rendering a track, Raghav Sachar too contributes. Sandeep Chowta returns to Bollywood with this film and the album also includes a composition by Pakistani band Suroor. Sunday, directed by Rohit Shetty, holds a couple of surprises for its listeners as far as the music goes. Singers: Shibani Kashyap, Daler Mehndi, Sunidhi Chauhan, Clint, Joy, Mohammed Ali, Kamran Bari, Mahua Kamath, Earl Edgar, Suraj Raghav Sachar brings in a new sound with this energetic number that has lyrics by Kumaar.Music Composers: Shibani Kashyap, Daler Mehndi, Amar Mohile, Suroor, Sandeep Chowta, Raghav Sachar Touch My Body, an adaptation of Dr Zeus's super hit Kangna is a dance number. So far the album has been high on romantic numbers. It will be appreciated by those who love the music of the 1990s. Bhaven has a clear voice, which is suited to the composition by Jeet Ganguli. It’s the kind of song Udit Narayan is famous for. Newcomer Bhaven Dhanak comes in with the romantic Chand Aasmano Se Laapata, which is written by Sandeep Nath. With Saim Bhatt joining in, the song hits the perfect chord.
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The start by Altamash Faridi is in the same mould as Aashiqui 2 and many other soundtracks of the same ilk, but the hook-line ' Awaara Awaara Dil Awaara Hua' is catchy. He writes and composes this soft number in which the sound of the piano is heard often. Mithoon arrives on the scene with Awaara, easily the best song of the album. The lyrics of Katra Katra are by Abhay Upadhyay. The song is in the same mould as many Bhatt movies that made seduction an important element since Jism. Prakriti Kakar’s voice is heard first as she croons about her love for the man she desires. The sound of guitar strings begins Katra Katra, composed and sung by Ankit Tiwari. Filmmaker Bhushan Patel’s previous two horror films, Ragini MMS- Evil Returns, were both musical successes.